something dystopian..something interesting

the other day i found myself wondering in a familiar place that I have always considered as one of my favourite buildings in London
the Tate modern--well, I went there mainly to see the exhibition of Mark Rothko and test the ways in which his work would speak to me... (would I be one of the people who sit on the benches in the rooms of the gallery, staring endlessly and desperately the works expecting from them to reveal their secret?)...and I did go, and the works did speak to me somehow in an incomplete way and it was painful but it was not bad altogether and I am glad I went.

but what was the memorable experience of that afternoon in Tate Modern was Dominique's Gonzalez-Foerster dystopian vision of London in TH.2058 in the turbine hall as part of the unilever series..not only for the concept, not only due to innumerable quotations-references to dystopian novels and films, not only due to the real interactive theatrical platform that she constructed...not only for bridging the past and the future of the building that I love in such a creative and imaginative way..

but also because I want to go back and it feels that the concept itself is left in-media res; this is not the last day of London, these are not the only survivors but just passer-bys who want to spend a rainy night..perhaps because even this dystopian vision is not entirely dystopian and has a glimpse of hope in it..perhaps because of that and for many other reasons that I will discover when I return there again, TH.2058 is one of the most interesting and sudden experiences of contemporary art I've had in recent years.

check it out until April 13th 2009:

http://www.tate.org.uk/modern/exhibitions/dominiquegonzalezfoerster/default.shtm

no harm done..really

i'd rather think about petty behaviours
and small dramas
as slimer gum from ghostbusters..a bit disgusting but ultimately ridiculous and harmless...

laughing at what annoys you
might be the best way out

to make a note of... (3 months later)

the right to love the way that you feel is appropriate
the feeling of weakness that cannot be articulated
the need for future adventures and conquests
the importance of privacy and silence
the anger against anyone who attempts to violate private spaces
the arrogance of knowledge
the failure to convince
the fragility of information
the fluidity of circumstances
the lack of interest to convince
the possibility of change and
the utopia of all-encompassing emotions of hope
the realisation that replacement is part of the game
the uselessness of certain ideas and actions
the vanity of power
the break with the past -- at last
the ephemeral of promises
the inevitability of the end
the surprise that certain relations bring
the all-enduring love lacking any sense of pressure
the urgency of certain notes
the absurdity of relations
and the beauty that sometimes is impossible to take in

life as it happens
everyday

(painting by Mark Rothko)